"The Place of the User in Copyright Law" - the second article in a series around intellectual property and data privacy law in Cyberspace
16-Jan-07
We're carrying on a series of articles of professor of law Julie E. Cohen around IPR and Copyright Management in Cyberspace. Today there is a "The Place of the User in Copyright Law" (2005) article.
In the article abstract author said the following: "The past decade has witnessed an upsurge of interest, on the part of both copyright owners and copyright scholars, in users of copyrighted works. Copyright doctrine, however, is characterized by the absence of the user. This absence produces a domino effect that ripples through the structure of copyright law, shaping both its unquestioned rules and its thorniest dilemmas. The essay traces the effects of the user's absence, and argues that a theory of the user is needed to restore doctrinal and theoretical balance. Specifically, it is commonly understood that users play two important roles within the copyright system: users receive copyrighted works, and some users become authors. Both roles further the copyright system's larger project to promote the progress of knowledge. But copyright law and policy have shown little interest in understanding the processes by which these roles are performed, nor in inquiring what users need to perform their roles in a way that optimizes the performance of the copyright system as a whole. The models of the user offered by copyright scholars have not helped as much as they could in answering these questions. In broad brush, scholarly efforts to cast the user have produced three fully fledged candidates, each more unrealistic than the last: the economic user, the "postmodern" user, and the romantic user. As the essay shows, none of these characters provides a satisfying account of the user's role within the copyright system. This essay introduces a new character, the situated user, who engages cultural goods found within the context of her culture through a variety of activities ranging from consumption to creative play, and whose activities are the vehicle through which copyright's collective project is advanced."
What kind of user are you? What is your opinion concerning a concept suggested in the article? We invite you to come back onto this page after reading the article on the SSRN web-site and make your comments below.
About the author
Julie E. Cohen
Professor of Law in Georgetown University Law Center
Professor Cohen teaches and writes about intellectual property law and data privacy law, with particular focus on the design of digital information networks and on the intersection of copyright, privacy, and communicative freedom in cyberspace. She is co-author of Copyright in a Global Information Economy (Aspen Law & Business 2002), and is a member of the Advisory Boards of the Electronic Privacy Information Center and Public Knowledge. Following law school, Professor Cohen clerked for the Honorable Stephen Reinhardt of the U.S. Court of Appeals for the Ninth Circuit, and then practiced with the San Francisco firm of McCutchen, Doyle, Brown & Enersen, where she specialized in intellectual property litigation. Prior to joining the Law Center Faculty in 1999, Professor Cohen was Assistant Professor of Law at the University of Pittsburgh School of Law.
You can contact the author via the whole article on the SSRN web-site.
Details
- Author:
- Tanya Emshanova
- Publisher:
- Other
- Date:
- 16-Jan-07
- Categories:
- Content Management, Innovation, Intellectual Capital, Knowledge Culture, Human Side of KM, Innovation, Space, Wissensmanagement und Networking
- Sections:
- Home , News
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